The latest in gear: West Street Digital is proud to use Cubase 10.5, the flagship of the Steinberg multi-track software fleet along with Protools 11, the top of the line Waves Mercury Bundle version 11, the entire Slate audio Suite along with Ozone 9 Advanced Mastering Suite and too many 3rd party plugins to mention. WaveLab 10 Mastering and Editing software.

Console: Behringer x-32 digital mixing console and control surface offering 8 discrete artist controlled stereo headphone mixes; Tascam DM-3200, Yamaha 03d

Monitors: Focal CMS65, Tannoy NFM-8, Tannoy 6.5, Mackie 824 (USA), Yamaha NS-10, Mackie subwoofer,

Headphones: Sennheiser HD580, ATH M-50x(3), ATH-D40fs, Sony 7506, AKG K-240, Ultrasone HFI-580(4), Vic Firth, Shure 215 IEM

Recorders: Mackie MDR 24/96; Tascam DA-88(2), DA-38, DA-30, Model 32 (¼” halftrack), Tascam 48 (½” 8 trk), Fostex R8 (¼” 8trk), Sony TC-788-4 (1/4” 4trk), Yamaha AW 1644

Outboard: Universal Audio 2-610, Dan Alexander 31105 (dual channel racked Neve modules), Langevin DVC, Peavey VMP 2, Earthworks LAB 102, Joe Meek VCQ 6 British Channel, Joe Meek VC3, Aphex 107, Aphex Compellor, Aphex 109 Tube EQ(2), TC Electronics Finalizer 96k (2), RNC 1773, ART Pro-VLA, DBX 163, DBX 166, DBX 263x, DBX 463x,

Mics: BLUE Blueberry(2), Royer 121, Rode K2, BLUE Dragonfly, Neumann TLM103, Neumann KMS 105, Shure KSM 32(3), AT 4047/SV, Telefunken M-80, Earthworks TC-30 (matched pair), Rode NT2, SE Electronics SE-5500 tube, AKG 460B (2), Sennheiser 421(5), Sennheiser 509 (4), Shure 330 (2); Sennheiser E 602, EV RE20 (2), AT M450(2), Lewitt DTP 340 REX, AKG D112, Shure SM94, Shure SM57 (6), Shure Beta57 (2), Shure Beta 56A, Blue E-300(2), Sterling ST-170 Ribbon mic(2), Yamaha MZ 205, EV PL-84(3), EV PL-80

Guitars:
’91 James Trussart Custom Steel-Top, Jackson PC-1, Brian Moore w/piezo-13pin midi, Fender Jeff Beck Strat w/Vintage Noiseless PU’s, Fender Strat w/Floyd Rose, Fender Nashville Deluxe Telecaster (2), Telecaster Thinline, Slick Telecaster, ’76 Gibson Les Paul Deluxe w/ P-90 PU’s, Gibson Les Paul Standard w Duncan JB PU, ’96 Pink Tye-dyed George St Pierre Gibson Les Paul Custom Shop (#11 of 103), Gibson Les Paul Special Double Cut, Gibson ‘66 melody Maker, ES-295, Schoales Custom w/Floyd Rose (2), Steinberger GL4TA (the oar), John Backlund Retronix R100 & R800, Yamaha Revstars (RS820 & RS720B), Yamaha SA 2200, Yamaha Pacifica 502V, Yamaha Acoustics (6 &12 str), Simon & Patrick Flame Maple, Takamine EF391 ME Acoustic ArchTop single cutaway, Epiphone FT 140, Seagull S-6 Slim, Epiphone Joe Pass Emperor II, FretLite Strat w/B-string Bender, Hamer 335, DanElectro 12 String, Ovation Classical, Brian May Signature Electric Guitar

Guitar Processing:
Kemper Profiler Powered head; ’66 Fender Showman w/Fender 2x12 (Jensens); ‘64 Blonde Fender Bassman w/Fender 1x12 (Scumback); ‘70 Traynor YBA-1;  Haas Amplification “Aqua-man” (Marshall 1974x); Haas Fury (Tweed-style); Haas Black n’ Blue (Soldano);  FYD OD Special (Dumble); Yamaha THR-100HD & THR-10 w/2x12 & 1x12 (Greenback); Avatar 2x12 (Celestion G12H/Vintage 30); Line 6 POD Helix LT; AdrenaLinn III, Ethos Overdrive, Vox Brian May Special, Digitech Brian May Red Special Pedal, Hughes & Kettner Tubeman (2), Hughes & Kettner BATT Tube Bass PreAmp, Sansamp Bass Driver DI, Hughes & Kettner RedBox (3), Original SansAmp, Heil TalkBox, Rocktron Banshee TalkBox, Ventilator (Leslie), assorted stomp boxes including: Vox Wah, Ross Compressor, Ibanez Tube Screamer, Haas “OD for Dummies”  (Zendrive Clone), Way Huge Pork Loin, Boss CS2, Wampler Ego Comp, Wampler, Brent Mason Hot Wired V1.0, XenoSonex Blue Ice, Fender Chorus, Zoom G2Nu, Fishman Aura 16, DeArmond Wah, Seymour Duncan Tweak Fuzz,  Boss ES-8 switcher, Hermida Audio ZenDrive, Hardwire SC2 Valve Distortion, TC Hall of Fame reverb, Carl Martin Plexitone(2), modded MXR Phase 90, Fulltone Plimsoul, Friedman BE-OD, Source Audio Nemesis, ISP Decimator, Monster Cable Studio Pro 1000, George L, Lava and Zaolla Silver cables .

Additional Instruments: 1947 Hammond CV w/Leslie; Roland Piano; Ensoniq KS32; Banjo 5 &6 string; Ukulele standard & baritone; lapsteel; Theremin; Accordion(2); Auto-harp, Violin; Assorted Percussion

DAW: Win10 x64 pro, Multi-track Recording: Cubase 10.5; ProTools 11, Mastering & CD Recording: Wavelab 8.5/9.5/10

Plug Ins:
Waves Mercury Bundle v11.0 (that means all of them); Slate Digital: All Access (Complete Bundle); Izotope Neutron 2/3, Ozone 9 Advanced; Universal Audio LA-2A, LA-3, 1176, VCA-VU, Pultec Pro, Cambridge EQ, Plate 140 (EMT), Precision EQ, Precision Multi-band, Precision Limiter, SPL Transient Designer, Roland CE-1, Roland Dimension D, Roland Space Echo, Neve 1073, Neve 1081; Neve 33609; Neve 88rs Channel Strip ; Sony Oxford EQ, Oxford Dynamics and Inflator, SampleTank 4.0, Miroslav Philharmonik II, SampleTron; Ivory II; BFD2/BFD3; Antares Harmony Engine, AVox Bundle, Auto-Tune Evo; PSP Vintage Warmer 2/Xenon,

System 1:

Win10pro /Intel Core i7-4790 Haswell Quad-Core 3.6GHz/16g DDR3 PC-12800 1600MHz/motu PCI 424w/2408 mkIII/ UAD-2 quad /X32 console/motu micro lite

System 2 (Studio B):

Intel Core i5-8265U Upto 3.9GHz, 16GB RAM, 256GB NVMe SSD Lucid Genex 6-96 Wordclock GeneratorTascam 1641 Interface 16 Channels of balanced mic splitters

Miscellaneous: sE Electronics Reflexion Filter (3), Mic Stands w/booms (16), 48 point patch bays (7), LP Claws (4), Drum MidiTriggers (4), Pop Filters (2), Constant Voltage Conditioner, Keyboard Stand(2), Guitar Stand (10), ProCro DB4, Sony CDP470, miscellaneous percussion